This exhibition provides two unique interpretations of landscape, disparate in medium but equal in their pursuit of transcendence for artist and audience. Nielsen and Gebbia-Richards achieve something exotic, yet familar and in defiance of scale they depict infinite worlds—simultaneously macro and micro. These works evoke a geometry, allowing the viewer to move within the ebb and flow of Gebbia-Richards’ crystalline wax structures and sink into the saturated hues of Nielsen’s abstracted mountains. Intensely process-driven, Nielsen’s photograms and Gebbia-Richards’ paintings are experimental and wholly their own. Per Nielsen, these works “are about transcendence and shifting one’s way of seeing through abstraction.”