Chris Oatey: Aerial Perspective | Project Room
Oatey’s practice has been consistently informed by a cartographic sensibility. He produces a wide range of works from the intricately hand drawn to the raw, immediate recording of his everyday surroundings.
The works in Aerial Perspective are the result of disparate yet connected sites of production. For example, Oatey drives over large swaths of paper in parking lots, using the car’s mass to index cracks, potholes and patterns of weathering. Back in the studio, one process informs another, resulting in intersections of texture and randomness that are subtly layered together.
Offering alternating moments of meditative mark making and curious geographical recording, tonal works on paper act as receptacles for observational catalogue. The mundane becomes new again, whether it be through tightly controlled gestures or a collaborative process between asphalt and car tires. In Aerial Perspective, Chris Oatey employs subtle humor, using differing modes to capture the aura of place and
time, physically imprinting the phantasms that haunt the everyday.
Chris Oatey, Untitled, 2009/ 2020
Chris Oatey, Birds Eye View, 2019
Chris Oatey, Charlie Brown's (2), 2019
Chris Oatey, Cordillera, 2018
Chris Oatey, Untitled, 2019
Chris Oatey, Untitled (Striation), 2011
Chris Oatey, The Sun Always Rises, 2020
Chris Oatey, Charlie Brown's, 2019
Chris Oatey, Fan - Manufactured View, 2010/ 2020
Chris Oatey, Curtain (Night Sky), 2020
Chris Oatey, Excavation, 2020
Chris Oatey, Untitled, 2019
Chris Oatey, Double Layer, 2010/ 2020
Chris Oatey, Mile High, 2019
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